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Illuminated book prints & canvases
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Jerusalem The Emanation of The Giant Albion
; "Such visions have appeared to me", 1804 (relief etching, white line engraving, w/c)
William Blake
£Optional
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The First Book of Urizen; Man floating upside
down, 1794 (colour-printed relief etching)
William Blake
£Optional
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Book of Urizen; the creation of Urizen in
material form by Los, 1794 (colour-printed relief etching)
William Blake
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The First Book Of Urizen; Los at the forge
with Enitharmon and Orc, showing Los' jealousy of Orc, his child, resulting in the tightening of the girdle around his neck, 1794 (colour-printed relief etching)
William Blake
£Optional
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Jerusalem The Emanation of the Giant Albion
: "And One stood forth", top to bottom, Los supported by Christ; Albion's burial in the Supulcher, 1804, (relief etching, white line engraving, w/c)
William Blake
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Jerusalem The Emanation of the Giant Albion
; plate 51 Vala, Hyle and Skofeld, showing the crowned Vala (the fallen Jerusalem) crouched in despair with two of her acolytes: Hyle (representing William Hayley) and Scofeld (representing John Scolfield), c.1804-20 (line engraving printed in relief, w/c)
William Blake
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The First Book of Urizen; Bearded man
swimming through water, 1794 (colour-printed relief etching)
William Blake
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Book of Thel; the Lily bowing before Thel
, before going off 'to mind her numerous charge among the verdant grass', 1789 (colour-printed relief, w/c)
William Blake
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Jerusalem The Emanation of the Giant Albion
; plate 76 Albion before Christ crucified on the Tree of Knowledge and Good and Evil, 1804-20 (relief etching finished with w/c)
William Blake
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Book of Urizen; Blake's retelling of the
Creation of Eve in the Creation of Enitharmon, 'And left a round globe of blood, Trembling upon the Void', 1794 (colour-printed relief etching)
William Blake
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Book of Thel; Thel leaning over the 'Matron
Clay' and the worm, 1789 (colour-printed relief etching)
William Blake
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Milton a Poem: Albion on the rock, 1804
(relief etching, white engraving, w/c)
William Blake
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Jerusalem The Emanation of the Giant Albion
: plate 99 "All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah), c.1804-20 (w/c on relief etching)
William Blake
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The Book of Thel: title page, 1794
(colour-printed relief etching)
William Blake
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Jerusalem The Emanation of The Giant Albion
; "Then the Divine Hand" showing Christ soaring above Albion within whose bosom "the Divine hand found the Two Limits, Satan and Adam", 1804 (relief etching and white line engraving with w/c)
William Blake
£Optional
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The First Book of Urizen; "As the stars are
apart from the earth", 1794 (colour-printed relief etching)
William Blake
£Optional
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The Book of Thel; Plate 4 Thel in the Vale of
Har, 1794 (colour-printed relief etching)
William Blake
£Optional
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Book of Urizen; "from the caverns of his
jointed spine', 1794 (colour-printed relief etching)
William Blake
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Songs of Innocence; "the Piper
" (frontispiece), 1789 (relief-etching, tinted with w/c)
William Blake
£Optional
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Jerusalem the Emanation of the Giant Albion
; His western heaven, 1804 (relief etching with w/c)
William Blake
£Optional
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The Marriage of Heaven and Hell; The Voice of
the Devil, c.1790 (relief etching tinted with watercolour)
William Blake
£Optional
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Europe a Prophecy; "Entharmon slept", Mildews
Blighting Ears of Corn, c.1794 (relief etching, w/c)
William Blake
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The Marriage of Heaven and Hell; "As a new
heaven is begun", c.1790 (relief etching tinted with w/c)
William Blake
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Songs of Innocence; Infant Joy, 1789 (relief
etching tinted with w/c)
William Blake
£Optional
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